I know
the pain you were in
I took you there
I was transported
on the spot
as darkness closed in
crucified on a crossbeam
he was only a man
I know his face
by lightning strobe
and rainfall
It was your face I saw
and your forgiveness
I know the pain you were in I took you there I was transported on the spot as darkness closed in crucified on a crossbeam he was only a man I know his face by lightning strobe and rainfall It was your face I saw and your forgiveness |
Author's Comments
For the senryu workshop I'm hosting through *Writers-Workshop (Sept 21st-Oct 5th), I wrote this piece to show how senryu can be applied in other than the traditional sense. There will be more about this later during the weeks that the workshop is active.
This piece was meant to be a renga with elements of senryu. However, due to its flow between each verse, it's more in keeping with an erotic rensaku. Applying senryu concepts to other forms is called "mad poetry". Rensaku can be linked haiku or tanka verse. What separates it from renga is that the pieces in rensaku flow into each other, and don't stand alone like in renga. 10/24/08 Edit: Title change CommentsVery nice SG! It is really interesting to see the concept of senryu applied outside of the traditional form. In doing that, you are illustrating that senryu, more than haiku or tanka is a style that is mainly conceptual. This in itself is an interesting discussion topic!
While the form of senryu most certainly follows the haiku structure, I am interested in seeing how the outlook (for lack of better term) can be applied to other Japanese forms. As you know, eroticism in the arts was well known and had a place within tanka (nicknamed mad poetry) and renga in general. This piece in itself contains traces of senryu's dark humor (and eroticism), particularly in the first stanza... I know the pain you were in I took you there Very nice! This is a great way to expound on the application of senryu! I cannot wait for the workshop This is such a powerful piece. I don't see the humor, dark or otherwise, as Laurence does--I guess I have a different perspective on it.
I sense the darkness, yes, but also a longing and an urgency. I also see a plaintive quality to it, and the beginnings of motion into despair, but turned at the end by a sliver of hope. I could be completely off with this interpretation, but these are the images and feelings that come to me so powerfully from this poem. -- 玉: 我的天使 ♥ Always look on the bright side... there's more light there and it's easier to find stuff. Hidden by Owner Hidden by Owner Hidden by Owner |
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